Category Archives: writer’s life

Character Profile: Deacon Carver

As part of a writing course I was recently taking, we were asked to develop some character profiles. This is the profile I developed for the protagonist. This is a character of whom I’ve written a great bit. He first appeared in the story Dee, For The Win, aged 16, as a cocky, dangerous young lad whose careless actions could kill those around him.

Image by fahid_khan19 from Pixabay

Meet Deacon Carver

Deacon Carver is a villain to some, just another an immoral criminal to others.



Deacon never had any parental figures and so lacked guidance. In competitive sports, where he played ‘for keeps,’ he couldn’t understand why his successes weren’t as celebrated as his competitors’.



His only real friend has been Char Osbaldistan, a woman a few years his senior. She is both his role model and his mentor. She helped him become a smuggler, like herself.



He craves acceptance, but defines that as wealth, stature, and reputation, not friendship, respect, or a lasting relationship. He is very transactional in his dealing with others. He is emotionally immature.



When he does acquire money, he’s not wise with it. He has gained some stature in his cover-life as a solar-sail racer, but he is perpetually broke.

His reputation as a smuggler is one of competence, brutality and self-preservation. He’s great to hire for a tricky job, as long as things go well. Should the job go wrong (they rarely do with him), he’ll save his ass, not yours.



He does have a moral code – he won’t traffic humans, he won’t kill. He’s not a thief, if he can help it. But he’s greedy, he’s spiteful, and while he may not kill, he’s not against putting others in the way of fatal danger and leaving them to rescue themselves. In his mind, their deaths aren’t his fault.

Even the woman he desires accuses him of moral corruption. She uses his transgressions against others as reasons to keep him at arm’s length. This frustrates him, leading him to bouts of malice directed at whoever is nearby (but never at her).

If you enjoyed this post, you might enjoy my short story collection The Maiden Voyage of Novyy Mir and Other Short Stories.

Writing Assignment: The Bear Necessities

One of the interesting weeks we had in my writing course was where we had to deconstruct then rebuild a famous story, in this case, Frankenstein.

We needed to develop a three-act outline for a retelling of Frankenstein in another genre or time. This lesson included needing to submit three separate pieces: the three-act structure outline; a character sketch of the protagonist; and the scene that would close out the second act.

Image by Marius Kristensen from Pixabay

I decided early on that my version would have Elizabeth Lavenza (Victor von Frankenstein’s fiancé in the original) as the hero, and that the story would be set in the present and involve nanotechnology.

Here, for your reading pleasure, is my three parts – three-act outline, ‘hero’ sketch and the turning point of Act 2

Three-Act Outline

Act 1


Beth Lavenza is a noted nanotechnologist. Her experiments are on the verge of giving humans immortality through an ever-renewed physical body. There are many who object to her work, including fanatics who attack her while she is walking her dog, Bear. Beth survives, but Bear is near death. A heartbroken Beth injects her experimental nanobots into Bear in an attempt to save him.

Act 2


Bear recovers. Beth garners press attention for how she saved Bear, and takes Bear onto a talk show hosted by the very cute and single Victor von Stein. Beth and Victor start dating. Bear starts exhibiting some creepy, stalkerish behaviour towards Beth. Victor suggest she night need to get rid of Bear. One night, Beth wakes to voices in her bedroom. She fears that the fanatics have come back to try to kill her again. Instead, she finds Victor and Bear in an argument. Yes, Bear can speak: The nanobots were geared towards replicating human DNA and Bear is evolving. 

Act 3


Bear wants Beth for his own, so he kills Victor. Bear then bites Beth, saying, “You’ll understand. It won’t take long.” Beth falls ill with a high fever and sleeps for days. When she wakes up, she realizes that she now has the nanobots in her, along with some of Bear’s DNA. They are now psychically linked – not just Beth and Bear, but all the nanobots too. The nanobots are going to remake Beth into a mate for Bear, so that the nanobots can propagate further, eventually replacing humanity. Bear and Beth will be the new Adam and Eve.

Hero Profile

Beth Lavenza is a brilliant scientist. She spends her days and nights deeply immersed in her field of study, medical nanotechnology. She’s very close earning to a tenured position at MIT. She expects her doctoral thesis will nail it.

Beth does have a life outside of work. She likes to kayak alone along the Charles River, dodging the swans. She helps at the local foodbank around the holidays. Beth has a purebred chow, named Bear, who is her surrogate child and snuggle buddy.

It’s not that she doesn’t date, it’s just that guys who understand her research are even more socially inept than her, and all other guys she’s ever met are just too materialistic or hedonistic to waste time on. Occasionally she’ll indulge in a one night fling, but not often, because the guilt afterwards always outweighs the benefits. Her lab assistants jokingly refer to Bear as her husband.

Act 2 Turning Point

In every way, Victor’s place was better: The view was better, the restaurants were better, there was more than one room… But of course Bear wasn’t welcome. Once had been enough. Beth had offered to pay for the damage, but if she could afford to replace his wardrobe, she could afford better than the lower-end IKEA furniture that populated her studio.

Still, he was coming to stay in her cramped studio instead. Victor never complained about her place, the creaky pipes, the lack of air conditioning, which was sweet of him, but also annoying. She felt judgemental on his behalf, coming to dislike her cosy little hidey-hole. It got damp with two people, and had developed a slightly mouldy stench, a dog-ish odour she hadn’t previously noticed.

She smiled at Bear, rubbed his head as she grabbed a stack of journals off the bed, set them beside the kitchen sink, stored her laptop in the cutlery drawer. 

Bear was always a problem they pushed to another day. But as their relationship deepened, Bear’s fate permeated her sleep. In her dreams, Bear could talk. He always said, ‘I love you.’ And he often told her about a future of just the two of them, no Victor. After these dreams, she’d invariably find Bear curled against her, snoring.

When Victor arrived, he leaned in to kiss Beth, but she grabbed a damp towel and scrubbed her lips first. “Bear was licking me.”

“On your mouth? Eww, I have to kiss that mouth.”

“You don’t have to…” But he did.

That night, Beth locked Bear into the bathroom for some uninterrupted couple time with Victor. When she let him out, Bear hopped onto the bed, curled up on Victor’s side, giving a soft growl.

“He doesn’t sleep with you, does he?” Victor watched Bear’s eyes. He’d noticed that Bear seemed much more attentive to their conversations lately.

“Jealous much?”

“Quarantine protocols?” Victor asked. “He has your nanobots in his blood.”

“Yeah,” Beth waved off any concern. “He’s safe.”

Later, Beth’s sleep was interrupted by dreams of Bear talking to her. But this time there was more than one voice. As she neared wakefulness, she felt a memory, three blurry strangers grabbing her, pulling her, taking control. 

“No!” She sat bolt upright, shook off the cobwebs, and found both Bear and Victor watching her, an interrupted tension obvious between them.

“What’s going on?”

“He talks. Your damn dog talks!”

“No he doesn’t. He doesn’t have the right vocal cords.” Beth stopped as Bear made a noise. “What did he just say?”

“I heard ‘ruv ru.”

“I very clearly heard ‘I love you.’” Beth touched her ear. “I don’t think I heard it, so much as understood?”

“The nanobots. You’ve got his nanobots in you. Now you’re linked somehow.” Victor looked around widely. Could he get to the frying pan hanging on the wall by the kitchenette? Could he possibly swing it hard enough to kill Bear? “And he’s learning to talk.”

Victor took a step towards the kitchenette. Bear growled long and low. 

“He says, ‘Don’t move.’”

“Yeah, I got that.”

If you enjoyed this story, you might enjoy my short story collection The Maiden Voyage of Novyy Mir and Other Short Stories.

Writing Assignment: Rethink the Trope

Writing is often filled with tropes – preconceived ideas that both the writer and the reader bring to the story. If I say “Fairy Godmother,” you probably come u with an image of a nice older woman, perhaps plump and Disney-esque. If I say, “Vampire,” you probably imagine a pale man with fangs and a big black cape.

Those are tropes; kind of like stereotypes, but much broader in that tropes can be about places, events, genres of writing. If I say, “Christmas,” you probably picture a lot. of the same images as I would.

For this assignment we were asked to redefine a fairy tale trope of our choice. I chose trolls.

Image by Siggy Nowak from Pixabay

Troll, Interrupted

Everyone who tried to visit the lakeside town of Midland had to pass over the troll bridge. Everyone knew the troll didn’t like people entering Midland. No one understood why.

The studious troll was pretty close to finishing his Ph.D. dissertation on the pending ecological collapse of his lake. Not being allowed to own property in Midland  – thanks to a speciesist town council – forced him to live outdoors. 

He’d discovered that the curve of the stone bridge best amplified the free wifi from the local pub. So there he lived, trying to protect his research from further contamination, from the annual influx of drunk tourists. 

First he’d tried stopping traffic and handing out pamphlets at the bridge, but the illiterate tourists just crumpled them and chucked them all along the shoreline.

Then he’d tried iconographic ‘no fishing’ signs at all the popular fishing holes. They’d been vandalized.

So, now he played to the stereotypes. Hey, if they’re gonna label you an angry troll anyway, why not be one?

If you enjoyed this story, you might enjoy my short story collection The Maiden Voyage of Novyy Mir and Other Short Stories.

Writing Assignment: Rewrite A Scene

For a creative writing class, I was taking, we had to write a 500-word scene from The Catcher in the Rye, demonstrating a specific narrative perspective of our choice. I chose to do third person limited from D.B.’s perspective.

Image by WagnerAnne from Pixabay

The Last Weekend

“Hey, Doc, how’s Holden doing this week?” D.B. always asked the same question, even knowing that the answer would never be ‘he’s gotten better’ as they went through the usual weekend check-out procedure.

The best D.B. could hope for was that tired old pun, ‘He’s Holden his own.’

D.B. found it odd that Holden wasn’t ready for him like every other Friday evening. D.B. hadn’t missed a weekend, ever. The doctor guided D.B. into his office while they waited for Holden to arrive. The door closed gently behind D.B.

“Maybe, he’s taken a turn for the worse.” The doc didn’t want to meet D.B.’s eyes. “We tried that experimental treatment, the one you signed off on, electrode-shock therapy. It was not successful, if anything, it made him angrier.”

‘Angrier’ caught D.B.’s attention.

Holden was always at odds with his life. Even here, he complained the place was ramshackle. But it was costing D.B. a pretty penny, and other than some dust from the Santa Anna winds drifting across the orchards, the place was spotless. 

Holden had been a little too privileged in his upbringing for D.B.’s liking. Maybe if he’d had to serve in the war, if he’d known what menace really was, he’d’ve appreciated what his parents had done for him, what D.B. had stepped up to do for him, once they gave up.

“We have to file a report with the Department of Corrections next week.” The doctor spoke furtively, eyes on the closed door. “This might be your last time with him. I can’t recommend him being allowed weekend releases anymore. You’ll need to be more careful with him this weekend. Especially around women. He tried to strangle one of the nurses, again.”

The door opened and Holden walked in, less steadily than the last time D.B. had seen him, more reminiscent of how he’d looked when he first arrived, drugged, on edge. D.B. became aware of the two rather muscular medical assistants standing just behind Holden.

The doctor’s tone changed to an obviously false joviality. “What do you have planned for the weekend?”

“I thought I’d take him to the pier in Santa Monica,” D.B. nodded out the window to his pride and joy, a sporty Jaguar convertible. “All this time in the foothills, I thought the sea air might be good for his spirit.”

Without ever breaking his smile, the doctor started flipping through a directory, mumbling, ‘Santa Monica…Santa Monica…Ah, here.” He grabbed a pencil, scribbled a number on a slip of paper and handed it to D.B. It was a phone number. “Just in case you need help.” They both stood up. “Quickly.”

“Have a good weekend, now,” The doctor allowed the assistants to manhandle Holden through the lobby and out the large wood and glass front doors. D.B. barely caught up as Holden reached for the driver’s door of the Jag.

“I drive this weekend, buddy” D.B. teased. “Maybe next weekend you can.”

If you enjoyed this story, you might enjoy my short story collection The Maiden Voyage of Novyy Mir and Other Short Stories.

Thinning the Plot: AKA Killing Your Darlings

Image by Garik Barseghyan from Pixabay

I’m a pantser through and through. If you haven’t heard that term before, it means that I create the story as I go, finding the plot. I don’t plan a story, I create it “by the seat of my pants.”

Probably the most famous pantser is Stephen King, whereas James Patterson is a good example of a plotter.

Ok, now that we’re past that, I want to explain about extraneous plot, and how I’m trimming a big chunk out of the last third of a novel to make the story flow better. There’s also consequences to the characters by doing it.

A very rough outline of the plot as it existed before excision:

Humanity discovers a work-around for faster-than-light travel, and goes out to discover that the galaxy is crowded with a multitude of aliens, none of whom use this technology because it causes reverberations that are fatal to some species. A confrontation between a human crew of explores and a couple of elder species ensues around a nearby star, Proxima.

Also, the aliens don’t believe we discovered it, they believe that a particularly aggressive species seeded the technology to us so they can harvest it and use it for galactic conquest.

Meanwhile, back on Earth, we’re following a high ranking assistant, who is aware that some of these accusations may be true. She’s helping the world council prepare to betray the aggressive species, and for humanity to make the conquest ourselves.

Our ship’s crew escapes back to Earth. The assistant warns them of both military and political danger. They flee back to Proxima, chased by a military force, and a final showdown occurs with four factions, two alien and two human.

The part of the plot that I need to excise is the return to Earth and then return to Proxima. It’s too much. The story flows faster and more dramatically if they don’t leave. But now I have two problems. First, I still need that Earth military force to arrive (solved rather easily). and second, the assistant’s story arc just got chucked in the bin. I need her to give me the background of what’s happening, politically, on Earth. But now she’s just an observer with no agency or story arc.

Oh, the joys of being a pantser… Actually, any inexperienced writer could have written themselves into this problem. You need to be able to give yourself distance from your story to see these things. That’s just where I am now.

Writing Challenge: Write a Story in 100 Words

My first actual paid stories were six 100-word stories (often called “drabbles”) in 2016. I was paid US$5 for each. Hey, it’s a paid writing credit. Someone read them and thought they were worth paying for. It was a big shot of validation early in my career.

I tried to write 100-word stories, because a famous New York literary agent (the late, dearly-missed Janet Reid) thought they were excellent ways to force writers to consider every word. In fact she ran a weekly contest wherein she’d give you five words you had to use, and you had to supply the other ninety-five.

The best I ever got from her was an “honorable mention” (US spelling) for Shakespeare’s Last Stand. I’ve included it below, along with one of my first published stories, My First Cosplay.

Shakespeare’s Last Stand

The legendary Shakespearean actor awoke to, “Assume crash positions!”

Glancing around as panicked faces craned to peer out the windows, abject fear at the angle of their descent ghosting their visages.

What do they know of fear? Peons!

Fear the indignities of ageing. Fear indifference and degradation! Flying to an audition? Audacity! Sitting in Economy, among the Greek chorus? Not even a window seat? Humiliation!

If they must die, let them die enlightened. One final stage then and not a critic to besmirch the memory, he thought as he arose, clearing his throat for their attention.

“To be, or”

Not.

This next one, My First Cosplay, was intended to be more than just a punchline, it’s meant to be read a second time, to understand the underlying horror. It was first published at Specklit.com on 17 July, 2016.

My First Cosplay

This should be a great night!

Human Cosplay is new to my species. Dressing up in another being’s guise is incredibly empowering. It’s almost as much fun as making the costume.

Entering the bar, everyone notices my impressive appearance. I must have done well to draw such immediate attention.

There are my co-workers, at the back: the cool crowd, finally accepting me.

“Dreegli, what have you done?” Cute little Shrel asks, exasperated, eyes wildly tracing the blood dripping down my sides.

“I … came as a Human?”

“You’re supposed to emulate them, not kill them and wear the carcass.”

“Oh…”

If you get the chance, I highly recommend taking part in “flash fiction” or “drabble” writing challenges. They will greatly enhance your writing abilities.

If you enjoyed these two stories and would like to read some more flash fiction, Kindle Unlimited users can download Flash! a collection of 20 such stories for free.

Kill Your Darlings: There Goes A Whole Theme

Image by MasterTux from Pixabay

One theme I wanted to explore in the first Deacon Carver book was how bureaucracy weighs down organizations. One of my key scenes for demonstrating that was in Deacon’s onboarding process, where he confronts the concept of “cost-to-company.”

Now, late in the development of this story, I realize that this theme may be one too many to try to carry, and really, this scene in particular serves no other plot purpose than to highlight the theme.

So, here, for your enjoyment is the most-likely-deleted onboarding scene.

+++++

The ship’s bursar handed Deacon a tablet.

“What’s this?”

“Compensation package. You need to agree and give banking details.”

“That…” Dee looked at Char with a newfound respect. “You make that much working for the IU?”

“No, no, no,” The bursar interrupted. “This is our cost-to-company of keeping you. From that we’ll deduct IU income tax, the cost of your billet and meals, the cost of transporting you around, medical coverage, sundry other expenses like uniforms and port entry taxes.”

“Wait, so how much of this do I end up getting?”

“Next screen.”

“What? That’s like next to nothing.” Deacon looked over the numbers carefully. “So you’re going to give me this, then take back twenty percent off the top for income tax. Then you’re going to deduct costs that I can’t control…. You’re going to force me to absorb costs that I might be able to source cheaper,” Deacon saw a look of puzzlement, “Medical Insurance? That’s a hell of a premium you’re charging. I could get better for cheaper.”

“But our sickbays and medical facilities only accept one insurer: This one.”

“So in the end, my take-home pay is eighteen percent of … what did you call it?”

“Cost-to-company.” Char spoke softly. She remembered her anger when she’d seen these numbers.

“Cost-to-company.” Deacon concluded.

“We do feed you and keep you safe.” The clerk pointed out.

“So if I eat elsewhere I can get reimbursed?”

“No.”

“If you don’t keep me safe, I can get reimbursed?”

“No. But it’s good medical insurance. If we can’t fix you we’ll find someone who can, and you won’t pay for it.”

“If you can’t fix me, it’ll be because I’m dead.” He turned to Char.

“Seriously, why do you put up with this?”

“I was under arrest when they recruited me. The alternative…I didn’t really have one. You do, though. You can walk away. But honestly, you don’t really have any expenses while onboard, so even though it’s only a little, you save almost all of it.”

“Save? I’ve got…” Deacon chose to pick his next words carefully. “It’s less than day’s work from my old job. Now it’s a month’s take-home pay?”

Char chuckled, responded to a ping from her infopad. “I’ve got to go. Come to my office when you’re done here.”

“Can you supply a recognised financial institution with an account in your name?” The clerk continued, oblivious to Char’s departure. “Otherwise we’d have to hold it in escrow for you until such as time as you’re discharged, at which point we can give you a lump sum with interest. You can borrow against that escrow as needed, say, when in port.”

“From what I hear, the IU is dying. Anything held in escrow will be bad debt.”

“Be that as it may, this is how we function. Do you have a financial institution you want to register with us?” Dee shook his head. He wasn’t letting these people anywhere near his finances.

The clerk held the tablet up for Deacon’s thumb print.

“Idiots,” Dee muttered under his breath as he pressed his thumb. “And now I’m one of them.”

Writing Assignment: 500 Word Scene

In my writing course, we were tasked with writing a scene. it was to be exactly 500 words in length, and during the scene, the reader was to become aware of a truth without it being said.

Here was my submission:

The Man in Black

The Man in Black sauntered into the bank, right past the Pinkerton’s detective, sitting just inside the door. The detective stood up, slowly drawing his six-shooter. There was no way that thief would rob this bank twice.

The outlaw just stood there, staring at the clerks cowering behind counters, as if his mere presence was an announcement.

The silence dragged on.

Finally, The Man in Black bellowed, “Well?”

The newly-minted Bank Manager approached cautiously. He’d never met an outlaw before.

If this was the famous gunman — the suave, debonair brigand wanted in four states for larceny and two more for violating young ladies’ honour — he certainly looked nothing like his Most Wanted bulletin.

He was shorter than expected. His clothes were too big, hitched by a makeshift rope suspender. His gun was slung loosely on his hip. His spurs didn’t jingle jangle jingle; They were bent and beat up. In fact, his boots were brown.

He’d lost weight. His face was sunburnt. His hands were gnarly, no sign of his famous rings. That scraggly beard was not fit for kissing women.

No wonder he was so hard to find.

However, that was his famous black hat, red beaded brim, black feather slicked back, sitting a bit low, touching his ears. The iconic black vest…did it have holes? The signature black denim trousers with red piping, held up by that rope, were torn, almost worn through at the knees, cuffs rolled up and dusty.

“Are you The Man in Black?” The Manager asked, unsure.

“I am now. An’ I got me an I.O.U.” The outlaw pulled a crumpled telegram out of his vest pocket. He straightened it out, showed the Manager. He pointed at each word, speaking slowly. “Wichita. Central. Bank. That’s this here place.” He pointed at other words. “Ten. Thousand. Dollars. I came for my money.”

The Manager repeatedly tapped a different word. “Reward,” He said.

“What’s that, French? What’s it mean?”

“It means you just gave us ten thousand dollars.” A discrete nod, and the detective disarmed the outlaw.

They tied up The Man in Black and put him in an office where they could watch over him until the Sheriff could collect him.

“But for the clothes, this don’t really look like him.” The Pinkerton’s detective looked up from the bulletin. “You sure he’s The Man in Black?”

“You heard him, he is now.”

If you enjoyed this story, you might enjoy my short story collection The Maiden Voyage of Novyy Mir and Other Short Stories.

(Where is) A Writer’s Toolbox (Part 3)

This is long overdue, and I apologize. But it will be a while yet. There are two reasons you haven’t seen this post yet:

First, because I’ve discovered great new free tool for writers, however I haven’t figured it out completely yet. And I’m not sure it’s stable. I’ve installed it in four websites. In two it works perfectly, in the other two, it doesn’t work at all, and I can’t figure out why.

Second, I’m feeling a little pissed. After I quickly launched my first two parts, a ‘friend’ cannibalized my content and posted it on social media, a little each day, gaining a whole bunch of exposure, new followers, and grateful friends in the writing community, without acknowledging that I was the source. When I contacted her about this, she deleted the posts, then blocked me.

So I’m feeling a little salty about posting things I’ve learned that could help the community.

I do intend to post it eventually, but for now, I’m waiting.

A Writer’s Toolbox (Part 2)

This is a three-part post.

The first focuses on software and websites that offer Software as a Service. The second is focused on people, the third on building a WordPress site.

People and Groups


The Science Fiction and Fantasy Writers Association, (SFWA)
runs a semi-annual mentoring program. I was fortunate to have a mentor for the first 3 months of 2023. It’s not just for members (I’m an Associate Member, the lowest level), and anyone can apply, not just science fiction  or fantasy writers. (There’s a large romance community within SFWA).

I used to be a member of the British Science Fiction Association (BSFA), but it didn’t compare to the SFWA, so I’ve let that lapse. I know next to nothing about the Society of Authors, perhaps someone here knows about them? I understand that they’re a good ally.

Brandon Sanderson is one of the best-known active fantasy authors. He was also a lecturer at Brigham Young University. All of his lectures are on YouTube. It’s a lot, but if you have time, they can be very informative.

Writing Excuses is a podcast I mentioned elsewhere. It was created by the aforementioned Brandon Sanderson and Mary Robinette Kowal (current President of the SFWA) among others and is in season 18. Each episode is about 15 minutes long. it’s fun and informative, and develops a real sense of community as you listen to it. If you wish, there’s writing prompts at the end of each lesson. I found seasons 6-13 to be very beneficial.



Janice Hardy runs a website called Fiction University. They dissect craft, focussing on what does and doesn’t work. They also occasionally post writing prompts where you can post your effort for feedback. 

Need some motivation to write, or at least an external goal?

Jane Friedman‘s newsletter is considered a must-read in the publishing world, and it’s free.

NaNoWriMo (National Novel Writing Month) is a free challenge to join, every November. You’ll be assigned a team, based on geography, and you’ll each be challenged to complete 50,000 words in one month (Making the goal isn’t as important as attempting). Of note, participants often get real discounts on software like Scrivener, Plottr, Atticus, etc. If you’re looking to form a writing group that’s all local to you, this can be a great way to find writers.

They’ve also added Camp NaNoWriMo, a July run of the same program.



As you get further in your writing career, you might want to pay attention to the following sites. 

Victoria Strauss’ Writers Beware (sponsored by the SFWA) helps writers avoid scammers trying to separate you from your money. 



The Alliance of Independent Authors (ALLi) is a very helpful organisation (I’m a member) that vets service suppliers (like editors) and will also give you advice on any publishing contract you’re offered. When Disney started underpaying writers, and withholding royalties, ALLi and SFWA were on the front line raising awareness in the media and hiring lawyers to pressure Disney into honouring its contractual obligations.

At some point, you’re probably going to want to build a newsletter so you have some form of direct link to your fans (they subscribe to it). There are many newsletter delivery services that offer a free option if your newsletter is below a certain number of subscribers (usually 1,000).. Mailerlite, Convertkit, and Mailchimp are the ones usually recommended. If you have money to burn, Constant Contact is great (I used it for a client). A friend swears by Email Octopus, but I’d never heard of it.

BookFunnel will help you find readers for your newsletter, and help give them a digital gift. BookFunnel works well with most if not all of the newsletter services mentioned above.

Draft2Digital and its subsidiary, Books2Read are very helpful in distributing and selling books, if you self-publish.

Additions from friends in the writing community:

As well as Email Octopus, my friend recommends “a great book on newsletters, Newsletter Ninja by Tammi LaBrecque.”

David Gaughran has an email list, a series of classes on advertising and many books on creating a fan base, and how to work with Amazon, Bookbub, etc, and overall thoughts on marketing. 

The annual Inkers Conference ( both virtual and in person). This is a writing conference that provides tons of topics like craft, marketing, etc. You can then watch all the sessions at your leisure for three years post event as they are all filmed and posted. This is also a very active community on facebook. You will also get invited to some free one-off sessions.

The Editorial Freelancers Association is where you can search for a professional editor.

That’s it for Part 2. Go to Part 1. Go to Part 3.