Category Archives: Science Fiction

Writing Assignment (Unsubmitted): The Dilettante, 1982

One thing about taking a writing course, often you write multiple entries for any given assignment, submitting one, discarding others.

During my first writing course, I wrote four different stories for the final assignment. We could only submit one. This is one of the ones I chose not to submit.

Image by Evgeni Tcherkasski from Pixabay

Man, we never even got started. Sam didn’t say it out loud. Jamie had heard it enough already. Still, it burned.

Just two weeks shy of Grad: All those SATs, stupid personal letters and essays, trying to nail exactly what some unseen authority would desire; All the anxiety and fear displacing excitement as the waiting dragged on.

Then a slew of rejections, and finally, acceptances. Plans had been set, unfettered futures just barely glimpsed…

Then the damned Dilettante showed up and wiped it all out.
Jamie was taking up a lot of Sam’s attention tonight. He wasn’t sure how much he really owed her. They were barely a couple, had only really had sex that once, the day after they announced the Dilettante. He wasn’t even sure that counted.

But she chose to be here, with him, now, up on the roof. That counted, for a lot.

He pulled a beer from the cooler, pulled the pop-top and chucked it over the edge of the roof. Have to pick that up before Dad mows the lawn, or he’ll be mad. Sam caught himself, but that’ll never happen.

He offered Jamie the beer first, knowing she hadn’t acquired the taste yet. She sipped, crinkling her cute little nose, handed it back.

There was an undeniable spark between them, a promise. They just fit; her snug on his lap, for all eternity. It wasn’t love, not yet. But this was all they’d ever have, so it had to be enough.

The damp May evening was a little chillier than they’d expected. Sam’s varsity jacket had slid off Jamie’s shoulders and she was shivering ever so slightly, fighting the chill, putting on a brave face for this crazy guy she’d somehow ended up trusting with her death.

He pulled the heavy jacket back into place. Honestly, a simple windbreaker would’ve been enough, but he wanted the jacket with him. He was too young to have many other prized possessions. Around her shoulders was the best place for it.

Besides, with the jacket set like that, he could steal a caress, even through a layer or two, of her nipples. She gave him an embarrassed ‘what are doing’ look. He whispered, “No one can see.”

But he stopped anyway. Tonight wasn’t about that.

Below, the gate between the driveway and the backyard clanged open, then didn’t clang shut. The ladder rattled as someone touched it. The others had arrived. Sam patted Jamie’s butt to let her know he needed to get up.

“I’m not climbing that ladder,” Sara announced her presence. Lots of strange pairings these days, Sam thought. Cats and dogs, Dale and Sara.

“What if I fall and break my leg?”

“Then we leave you there.” Sam called down. “What? I’m not missing this. Imagine being stuck in an ER when the Dilettante comes? What a fucking waste of a life.”

Sara often called Sam a ‘potty-mouth.’ He saw it as being more mature, more comfortable with adult language. Honestly, if they had made it to college, Sam was pretty sure he’d have left most of his friends behind. Only Dale was close to functioning at his level, maybe.

“Hey, Sam!” Dale called up from the backyard. “Joe Mendle said ‘You can kiss your ass goodbye!’ Live on air!”

Maybe not.

“What’re they gonna do, fire him?” Sam could just barely see that there was a third person there. “Oh, hey…Billy? Didn’t think you were coming.” He pointed into the darkness of the backyard. “Grab those lawn chairs.”
Sara stood two steps up the ladder and relayed the lawn chairs up. Sam pulled them the rest of the way.

“It’s getting cloudy. We even gonna see what happens?” Sara’s head cleared the rain gutter. Two more rungs and she could step off the ladder onto the roof.

Jamie offered a hand, didn’t let go until Sara found her balance on the sloping black tar shingles, much cooler now that the sun had set.

“Joe Mendle said the clouds would blow off just before, that we’d get a spectacular view, if we dared look.” Sam wouldn’t have gone to all this effort otherwise. He opened a lawn chair, set it firmly among the tiles.
Sara sat in the chair, fumbled with her over-sized purse. “I really don’t think he wanted to be on the air tonight.”

“Would you?” Jamie replied, helping Billy come up. “He’s got family.”

“Last I heard, he’d put on Dark Side of the Moon, side one.” Dale added as he climbed onto the roof, waving off Jamie’s help. “He’s probably home by now.”

“Hope so,” Jamie curled back into Sam’s lap, drawing Dale’s attention to the chair. “Hey, you got a frickin’ La-Z-Boy up here?” Dale chuckled. No rickety lawn chair for Sam. That was such a typical Sam move, a brazen, pointless gesture.

“Why not? Don’t have to worry about getting it down.” Sam popped the cooler’s lid and offered Dale a beer.

“How’d you get these?” Dale asked as he took the can.

“Like anyone’s checking ID today.” Sam lied. Even now, he wasn’t going to admit that his old man was cool enough to give him the beer.

Dale popped his can, took a swig, surveyed the valley downslope from them. He nodded toward a dark patch in the otherwise uniformly lit suburb below. “Remember that night we watched the fireworks up here through the fog? You couldn’t even see Union Park.”

“Yup.” Sam remembered. It was his inspiration for tonight.

“And the music?”

“Got it right here.” Sam tapped the Apocalypse Now Soundtrack cassette case sitting on the boombox.

“We just need the one song.”

“I know. Tape’s set.”

Sara pulled a bottle of Jack Daniels out of her bag, waved it for attention. Jamie saw it first. “Nice!”

“Unopened. Dad keeps a few in the garage, thinks we don’t know.”

As night took a firm hold of the valley, neighbours started setting off bottle rockets and dahlias, screeches and small bangers, portends that riled up all the local dogs too soon. Burnt sulphur mixed with the dew, wafted over the roof.

“Gotta use ’em up tonight, I guess.”

“Maybe,” Billy winced as another firework flared and extinguished in the sky. In that brief moment of light, Sam saw tears streaking Billy’s face. “Maybe being here is wrong. Maybe I should…be with my mom.”

“That old hag? Ow!” Sara punched Dale in the shoulder for saying it.

“Come on man,” He continued, “We’re your family, so much more than she is.”

“Yeah, but she’s alone.” Billy’s short, almost hyperventilating breaths revealed the panic they were all valiantly suppressing. “I didn’t think I’d care, but she was crying. I should go.”

Dale started to rise, but Sam waved him off. Let him go.

In his haste, Billy half slid, half fell down the ladder, then ran out the yard.

It was a good four blocks to his house. “Hope he makes it in time.”

“We expecting anyone else?” Dale asked. When Sam shook his head, Dale kicked the ladder away from the roof.

“It’s just us, now.” Sam approved. He met each friend’s gaze, resting on Jamie’s beautiful brown eyes, reflecting the fireworks. “We’ll do.”

They passed the whiskey around. After a few turns, Jamie pulled a joint out of Sam’s jacket pocket, held it up with mock surprise. Once Sam lit it, that too got passed around.

Sara took a long pull on the ever-shortening stub, passed it to Dale.

“What do you think the Dilettante thinks of us?” She asked, not expecting an answer so much as wanting to break the silence.

“We’re in the way.” Dale’s bitterness was punctuated by puffs of smoke.

“To where?”

“Wherever comets go, I guess.” Dale tried to pass the stub on, but Sam waved him off, beer in hand.

Sam’s other hand, slowly caressing Jamie’s back, felt a spasm jolt her spine.

“Guys! Across the valley, is that…” Jamie didn’t want to say ‘the Dilettante.’ Her voice cracked, almost failed. “Fireworks?”

No one needed to answered. A glow was building beyond the far ridge-line, getting brighter by the second. Pittsburgh, twenty miles that way, never cast so much light.

Dale pulled Sara onto his lap.

Jamie buried her face down into Sam’s shoulder. “Is it going to hurt?”

“For a moment, yeah.”

“Then what?” She pleaded. Sam bit back a sarcastic, ‘then we die.’

“Don’t know.” He settled on. “Whatever comes next, I guess.”

He stared as the sky flared, willing himself to witness every last moment. Not that Mendle will ever know, but I dared.

The clouds blew off, as predicted. The stars, even the crescent moon, disappeared in the wash of brilliance that followed. A shockwave pulsed through the ground, subsonic vibrations shaking the house, joist and joint, followed by a staccato rending of earth and rock.

Jamie moaned and clung to Sam’s chest. Sam kissed her on the forehead, reached down beside his chair, and pushed play.

The sky was too bright to look at. Sam buried his fave in Jamie’s hair, smelt the strawberry conditioner for the last time.

On the boombox, the sitar started its slow, hypnotic pulse, barely audible over the death screams of the world. Even as the boombox bounced into oblivion, Sam heard Jim Morrison’s melancholy voice kick in, “This is the end, beautiful friend, the end.”

Kill Your Darlings: There Goes A Whole Theme

Image by MasterTux from Pixabay

One theme I wanted to explore in the first Deacon Carver book was how bureaucracy weighs down organizations. One of my key scenes for demonstrating that was in Deacon’s onboarding process, where he confronts the concept of “cost-to-company.”

Now, late in the development of this story, I realize that this theme may be one too many to try to carry, and really, this scene in particular serves no other plot purpose than to highlight the theme.

So, here, for your enjoyment is the most-likely-deleted onboarding scene.

+++++

The ship’s bursar handed Deacon a tablet.

“What’s this?”

“Compensation package. You need to agree and give banking details.”

“That…” Dee looked at Char with a newfound respect. “You make that much working for the IU?”

“No, no, no,” The bursar interrupted. “This is our cost-to-company of keeping you. From that we’ll deduct IU income tax, the cost of your billet and meals, the cost of transporting you around, medical coverage, sundry other expenses like uniforms and port entry taxes.”

“Wait, so how much of this do I end up getting?”

“Next screen.”

“What? That’s like next to nothing.” Deacon looked over the numbers carefully. “So you’re going to give me this, then take back twenty percent off the top for income tax. Then you’re going to deduct costs that I can’t control…. You’re going to force me to absorb costs that I might be able to source cheaper,” Deacon saw a look of puzzlement, “Medical Insurance? That’s a hell of a premium you’re charging. I could get better for cheaper.”

“But our sickbays and medical facilities only accept one insurer: This one.”

“So in the end, my take-home pay is eighteen percent of … what did you call it?”

“Cost-to-company.” Char spoke softly. She remembered her anger when she’d seen these numbers.

“Cost-to-company.” Deacon concluded.

“We do feed you and keep you safe.” The clerk pointed out.

“So if I eat elsewhere I can get reimbursed?”

“No.”

“If you don’t keep me safe, I can get reimbursed?”

“No. But it’s good medical insurance. If we can’t fix you we’ll find someone who can, and you won’t pay for it.”

“If you can’t fix me, it’ll be because I’m dead.” He turned to Char.

“Seriously, why do you put up with this?”

“I was under arrest when they recruited me. The alternative…I didn’t really have one. You do, though. You can walk away. But honestly, you don’t really have any expenses while onboard, so even though it’s only a little, you save almost all of it.”

“Save? I’ve got…” Deacon chose to pick his next words carefully. “It’s less than day’s work from my old job. Now it’s a month’s take-home pay?”

Char chuckled, responded to a ping from her infopad. “I’ve got to go. Come to my office when you’re done here.”

“Can you supply a recognised financial institution with an account in your name?” The clerk continued, oblivious to Char’s departure. “Otherwise we’d have to hold it in escrow for you until such as time as you’re discharged, at which point we can give you a lump sum with interest. You can borrow against that escrow as needed, say, when in port.”

“From what I hear, the IU is dying. Anything held in escrow will be bad debt.”

“Be that as it may, this is how we function. Do you have a financial institution you want to register with us?” Dee shook his head. He wasn’t letting these people anywhere near his finances.

The clerk held the tablet up for Deacon’s thumb print.

“Idiots,” Dee muttered under his breath as he pressed his thumb. “And now I’m one of them.”

Writing Assignment: 500 Word Scene

In my writing course, we were tasked with writing a scene. it was to be exactly 500 words in length, and during the scene, the reader was to become aware of a truth without it being said.

Here was my submission:

The Man in Black sauntered into the bank, right past the Pinkerton’s detective, sitting just inside the door. The detective stood up, slowly drawing his six-shooter. There was no way that thief would rob this bank twice.

The outlaw just stood there, staring at the clerks cowering behind counters, as if his mere presence was an announcement.

The silence dragged on.

Finally, The Man in Black bellowed, “Well?”

The newly-minted Bank Manager approached cautiously. He’d never met an outlaw before.

If this was the famous gunman — the suave, debonair brigand wanted in four states for larceny and two more for violating young ladies’ honour — he certainly looked nothing like his Most Wanted bulletin.

He was shorter than expected. His clothes were too big, hitched by a makeshift rope suspender. His gun was slung loosely on his hip. His spurs didn’t jingle jangle jingle; They were bent and beat up. In fact, his boots were brown.

He’d lost weight. His face was sunburnt. His hands were gnarly, no sign of his famous rings. That scraggly beard was not fit for kissing women.

No wonder he was so hard to find.

However, that was his famous black hat, red beaded brim, black feather slicked back, sitting a bit low, touching his ears. The iconic black vest…did it have holes? The signature black denim trousers with red piping, held up by that rope, were torn, almost worn through at the knees, cuffs rolled up and dusty.

“Are you The Man in Black?” The Manager asked, unsure.

“I am now. An’ I got me an I.O.U.” The outlaw pulled a crumpled telegram out of his vest pocket. He straightened it out, showed the Manager. He pointed at each word, speaking slowly. “Wichita. Central. Bank. That’s this here place.” He pointed at other words. “Ten. Thousand. Dollars. I came for my money.”

The Manager repeatedly tapped a different word. “Reward,” He said.

“What’s that, French? What’s it mean?”

“It means you just gave us ten thousand dollars.” A discrete nod, and the detective disarmed the outlaw.

They tied up The Man in Black and put him in an office where they could watch over him until the Sheriff could collect him.

“But for the clothes, this don’t really look like him.” The Pinkerton’s detective looked up from the bulletin. “You sure he’s The Man in Black?”

“You heard him, he is now.”

Character Intro: Char Osbaldistan

I doubt it’s a surprise that I’m working on a book. I’m actually working on a lot of them – a duology, a stand-alone novel, a novella and a five-novella sequence. Oh, and a few short stories, too.

The five-book sequence follows the crew of a ship as they get into a series of escalating adventures. I’d like to introduce one member of the crew here. Her name is Char Osbaldistan, and when we meet her here (in a flashback), she’s a smuggler, freshly captured by the Interplanetary Union (IU). But when we actually meet her in-universe, she’s a full-fledged member of an IU crew.

Char was first mentioned (but not seen) in the short story Dee, For the Win which you can read here.

Let’s meet Char Osbaldistan:

It was an office, why an office, Char didn’t know. Usually court rooms looked more like, well, court rooms and not offices. Yet there he was the tired old magistrate sitting behind a pompous desk, flanked by an inquisitor. The room was plush, velvet and wood against gold highlights. It spoke of power and authority, order and rigidity.

The inquisitor spoke first. “How many identities do you have? Your ship … what’s it’s name?”

“Why do you ask?” Char chafed against her bindings. There was a very comfortable chair in front of her, but sitting in it like this would be awkward.

“Your ship, for one, appears to have four different registrations.” Char bit back a smile – there were seven, but they’d only found four. That was good.

“For the record, what is your ship’s name?”

“What do you want it to be?”

“Don’t play with me, girl.” The judge’s contempt spoke of impatience. So, time to go slow.

“Woman. Twenty-seven. Clearly, I’m a woman.”

“I have grandchildren your age, child.” The judge dismissed her response with a wave of his hand.

“Still, woman.”

“You, yourself,” The inquisitor ignored the exchange, “appear to have five different identities, all of whom,” He spoke in an aside to the judge, “pay taxes, by the way.”

“Seriously?” Char always left the money laundering part of the operations to the experts. All she knew was that she got paid her share, and it was a nice share.

“Yes, it’s an efficient way to look legitimate – pay taxes on income earned from fictitious jobs to cover that it was actually earned illicitly.” As if he needed to explain it to her. No, he was stating it for the record. This was being recorded, surreptitiously.

“I pay my taxes. Still, you arrest me?”

“You pay taxes for five people, at least four of whom are fake. Before we finish, you will tell us exactly how and from whom you got those identities.”

She chuckled. “Probably not.”

“What’s with her ship?” The judge asked.

“It’s a little planetary system slug modified with a hyper drive.” The inquisitor read from a note screen. “Slugs are everywhere, working boats that might move cargo pods, align construction segments, move a hulk around. They often hitch rides with cargo carries from one system to the next. It’s so common, and so universal, that a new one in a star system would never raise suspicions. It’s the perfect smuggling vehicle.” He turned back to Char.

“From your vessel’s logs, we’ve learned that you’ve worked in the Hadriatik Republic, the Triple Alliance, the Non-aligned territories and around Melakka. The ship’s history appears to suggest that it originated in Melakka, which would tie you to the identification of Char Osbaldistan.” The inquisitor nodded toward the judge. “Thus we have determined that for the purposes of this hearing, you will be identified as such. Miss Osbaldistan, do you object?”

“Of course.”

“Then what name would you prefer?”

“No, any name will do. I object to being captured. I object to being tried. I object to my ship being confiscated. I object to it being the bloody useless Interplanetary Union that arrested me and not some respectable government. This isn’t a real judiciary, you have no authority. This is a kangaroo court.”

“Char Osbaldistan, you’re charged with illegal operation of a vehicle, four counts of impersonation, smuggling, piracy and theft. You will learn to respect this court’s authority and you will do so quickly.”

“Oh, please.”

“What?”

“You want me, you want people in general, to respect your authority? You don’t know the difference between smuggling and piracy.”

“Both act outside of the law.”

“So does speeding. You don’t equate it to piracy … bloody kangaroo court, full of amateurs.”

— 30 —

Finding blog topics – Star Wars Logo edition

Star Wars early logo

Every writer is told to ‘build a platform’ (get your audience started) before publishing. How do you do that? Well, they’ll tell you to be active on social media and have a blog —

Great, I can do both of those.

— and have fresh content regularly.

Oh. One thing that can be hard to do is come up with topics for a blog. Harder still is finding a topic that someone else hasn’t already done better. Continue reading Finding blog topics – Star Wars Logo edition

A Rainy Day Movie List – Some Sci-Fi to Watch

There has been a lot of good science fiction movies in the past few years, and there have been some blockbusters. But those haven’t always been the same. Think of a Venn Diagram, two circles overlapping, there’s a few movies that appear in the overlap (perhaps Guardians of the Galaxy or Mad Max: Fury Road), but most fall outside one way or the other. Here’s a list of some great-to-decent science fiction films that weren’t blockbusters, but weren’t bad. They cover a spectrum of styles and moods. You can probably find one or two that you haven’t already seen.

Edge of Tomorrow (imdb)

Seriously, not enough people saw this, and the only reason I can think of is because it stars Tom Cruise. I’m not a big fan of his political/religious views, and I’m always weary going into one of his movies in case it’s trying to proselytize Scientology, but this film was quite good. Hollywood noticed, although not enough viewers did. It did a respectable $369m worldwide, but only $100m domestically. Don’t like Tom Cruise? He dies! Repeatedly! It wasn’t just a good actioner, it was funny, too (and made you think, just a little). Also, it’s being rebranded as Live, Die, Repeat so look for it under that title too.

Who is it for: Anyone desiring a good action/war movie with a lot of humour sprinkled in.
Rotten Tomatoes: 90%
My Rating: 4.5 out of 5 Stars

Ex Machina (imdb)

Why oh why didn’t this excellent, thoughtful movie about Artificial Intelligence and ethics get seen by more people? This was a metaphysical film about intelligence and morals involving indistinguishable-from-human AIs. If you have no remorse in killing them, should they really have remorse in killing you? It’s the most Kubrick-ish film I’ve seen since Kubrick died — not to mention the amazing effects used to create Ava’s transparent body. Maybe if they’d said ‘you’ll see a cute actresses nude!’ more people would have gone, but nudity wasn’t what this film was about (yes, it’s in there, perv).

Who is it for: Anyone who wants a thoughtful, slow movie that will stay with you.
Rotten Tomatoes: 91%
My Rating: 4.5 out of 5 Stars

Oblivion (imdb)

My second Tom Cruise entry, what’s going on? Have I become a Scientologist? Seriously, this was much better than expected. Not only were the effects pitch perfect, the smallness and intimacy of the story, painted on a large canvas, was fascinating. Two quibbles (one’s a spoiler): Morgan Freeman was under-utilized, which is a crime in itself; and I’m not sure that it’s true love if you’re banging a clone of your lover. (highlight with your mouse to view the missing text).

Who is it for: Old School Sci Fi short story buffs – think Heinlein or Bradbury.
Rotten Tomatoes: 54%
My Rating: 4 out of 5 Stars

Tomorrowland (imdb)

I joked on twitter about this film when it opened, more a stab at the marketing than the film itself. I liked this movie, keeping in mind that it was very much an old school Disney kid’s film. They’ve taken the old formula (think The Computer Wore Tennis Shoes, or Blackbeard’s Ghost), and update the storytelling for modern audiences – less humour, more threat. My 11-year-old students didn’t like it because it had ‘too much science’ which I translate as ‘not enough fun’ and I guess I can agree with that, but it’s still worth the 130 minutes of your time.

Who is it for: Anyone looking for light entertainment with just a bit of an alt-history twist. Think of it as Back to the Future lite, very lite.
Rotten Tomatoes: 50%
My Rating: 3.5 out of 5 Stars

Pacific Rim (imdb)

Like Transformers? Like Jurassic World or Godzilla? Why haven’t you seen this film? Seriously, large mech warriors fight monsters from the deep to save Earth for humanity. There is more to the story than that, but not much. People die, we’re supposed to care. Buildings get crushed, we’re supposed to care. Rivals have a show down, we’re supposed to care. But really – mech warriors fighting giant monsters! Come on!

Who is it for: Fans of Michael Bay, Transformers, or Godzilla-esque movies. Anyone who wants a movie where they can take a toilet break or go grab another beer and not miss anything substantive.
Rotten Tomatoes: 72%
My Rating: 3.5 out of 5 Stars

Moon (imdb)

At six years old, I’m not sure that this film should be on the list, but it was well worth seeing. Sam Rockwell is a solitary miner working a platform on the Moon’s far side when his reality starts to come undone.

Who is it for: A quiet night, a mystery. It’s good but slow.
Rotten Tomatoes: 89%
My Rating: 3.5 out of 5 Stars

The Signal (imdb)

Want something more grounded in Americana, perhaps a little weird and UFO-y? This is your film. I’ve got to admit that the ending was unsatisfying, but parts of the journey were worth taking. In the beginning, the movie doesn’t know if it wants to be a horror film or a Kerouac road movie, then it morphs, and they really don’t want you to know more about it than that. But Laurence Fishburne’s presence kept making me thinking of The Matrix. Remember that.

Who is it for: X Files fans desperately waiting for the new show to start.
Rotten Tomatoes: 58%
My Rating: 3 out of 5 Stars

John Carter (imdb)

This one is on the decent-but-not-great side of the spectrum. It’s a good story, with a flawed telling. At the very end, the film gets its true title, John Carter of Mars, which is what the film should have been called, and how it should have been marketed. The casting was strange, too, although a lot of it worked well (Dominic “Jimmy McNulty” West as the villain, Lynn Collins as Dejah Thoris). The one that didn’t work was Taylor Kitsch as the titular hero. Also distracting was the presence of Ciaran Hinds (Julius Caesar from HBO’s Rome) and James Purefoy (Mark Anthony from the same Rome) playing roles too similar those they played in… HBO’s Rome? Yeah, you get it. And the whole Ned storyline needed to die. Maybe just binge watch HBO’s Rome instead?

Who is it for: Taylor Kitsch fans, Vin Deisel fans on a drunken nights, those going through Jimmy McNulty withdrawal.
Rotten Tomatoes: 51%
My Rating: 3 out of 5 Stars

For context, I’d give Guardians of the Galaxy 3.5/5; Avengers: Age of Ultron 3/5 and Jupiter Ascending 1.5/5 (Even after a bonus 0.5 for the pretty spaceships). I’m sure there are more under-recognised decent films out there.

If you have any to add, drop them in a comment and we can discuss or I can added them to the list. Thanks!