science fiction

The Fallacy of Comparing Modern Writers to the Golden Age of Sci Fi

There’s a conversation going on in my writer’s group about science fiction that I wanted to pull out and discuss with a larger, different audience.

In a nutshell, there’s a large contingence of up-and-coming or as-yet-unpublished writers who believe that the golden age of science fiction was in the 1980s or beyond, and that modern sci-fi isn’t as good.

It’s a conclusion that is hard to argue with, partially because the goalposts can be moved at any time. Still I feel compelled to make a case against this perspective, and I need more space to do so than would be allowed in that group.

So here we go.

READ ON

Review: Arrival (Minor Spoilers)

We saw Arrival (no “the” in the title) this past week, and while I loved it, there was a point that stuck with me - and it probably wasn’t the point that you’d think.

Things that I loved - that it was a slow film, that it gave you time to think about what you were seeing and experiencing. I loved that you don’t always get answers.

But… but… but… there was this nagging thing in the back of my mind. READ MORE (includes minor spoilers)

Keir Dullea's (Star)lost Opportunity

For a short time there, Keir Dullea was going to be the face of science fiction in the 1970s. After starring in 2001: A Space Odyssey in 1968, Dullea went on to front an ambitious Canadian TV production, The Starlost - this was going to be the new Star Trek, the next big thing (four years before Star Wars), syndicated world-wide.

Yeah, that didn’t happen.

The devolution of C-3P0

Star Wars (1977) introduced us to many interesting characters, among them a perhaps under-appreciated C-3P0. In the original trilogy, Threepio had agency. He had purpose, and he played a key role in bringing down the empire. Threepio doesn’t always make wise decisions, but he does keep the action moving forward (or at least keep up with it). He’s intelligent, articulate, the intellectual partner of R2-D2. He tells R2 what to do, gives directions (“Come on, R2, we’re going”) and takes initiative - talking his way past the guards in the security room of the Death Star.

So what went wrong?

Evolution of a story, part 2: How “Honey Bees & Blackholes” became “Long-Term Storage”

Long-Term Storage was the third of my four drabbles published on the site SpeckLit in 2015. It’s only 100 words long (that’s what ‘drabble’ means, apparently). The story is about how a group of humans flee extinction by flying into a blackhole. Please read it before continuing (contractually, I can’t post it here yet).

 

How on Earth does one come up with a story idea like that?

Here’s how…

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