National Geographic has a great visualization of what we know about exoplanets and their habitability. This image shows that thus far, we’ve found fifteen planets (including Mars) that are a) the necessary distance from their star to have the right surface temperature, and b) are the right size to be considered “Earth-like”. Continue reading “Goldilocks Worlds”
Every writer is told to ‘build a platform’ (get your audience started) before publishing. How do you do that? Well, they’ll tell you to be active on social media and have a blog —
Great, I can do both of those.
— and have fresh content regularly.
Oh. One thing that can be hard to do is come up with topics for a blog. Harder still is finding a topic that someone else hasn’t already done better. Continue reading “Finding blog topics – Star Wars Logo edition”
Rogue One was the first Star Wars film that I didn’t see on opening night. Still, I saw it opening weekend. And again, later. (In 1977, I was 13 – the perfect age for that film, and I saw it again, and again, and again …) Continue reading “Solo: A Star Wars Story”
I just saw Black Panther, and it got me thinking about willful suspension of disbelief. I?ve got no problem with Vibranium, or a hidden African nation that is superior to western nations in all ways. I don?t have a problem with clothing that defies the laws of physics. This is Marvel?s Comic Universe, I?ll suspend my disbelief for these. But there was one thing in this film that tweaked me, pushed me out of the film for just a moment. Continue reading “On Willful Suspension of Disbelief”
When I was a kid, I was a model maker, and was absolutely obsessed with Star Wars. Of course those two paths crossed (to someone?s great profit, I’m sure).
Prior to Star Wars, my show piece was a WWII era Corsair done up as Pappy Boyington’s bird. There was a Spitfire, a P-38 Lightning and some others. Back then I built in 1/48 scale. Continue reading “Getting the Gang Back Together”
There’s a place that I’ve been to, a city that I may be the only person to have ever visited. This city exists and recurs only in my dreams. I visit it perhaps once every few months. I know when I’m there, and I know that I’m dreaming. I can take myself back to places that I’ve been before. Continue reading “A City Only I’ve Visited”
I’ve noticed this trend lately in science fiction movies, and it’s bothering me. The movie’s going along at a nice clip, but all of the sudden something happens that’s completely unnecessary to the story, and the film goes off the rails. Continue reading “Useless Plotlines in Last Jedi, Force Awakens, Valerian”
Everyone knows Dune (you do, don’t you? If not, why are you here?), and if you’ve even given this blog a cursory glance, you know that lately I’ve been obsessing about Dune more than a little.
I happened to chance onto a book called The Road to Dune in a local second-hand book store (I live in Malaysia. English is not the first language here, so it was a find). Within this book, along with deleted or early draft scenes from Dune and Dune Messiah, was a novella called Spice World. Continue reading “Spice World – the seminal Dune story”
1966 was a time of rebellion in America: The Civil Rights movement, the anti-Vietnam war movement, the Free Love movement, were all on the rise. People were pissed — at the government, at the establishment, at each other, and at the ‘other.’ Continue reading “Star Trek Discovery is not the Star Trek We Need”
Passengers? release here in Malaysia bumped Arrival to a later date, which bothered me immensely, as I was anticipating Arrival much more. I assume that the Malaysian film industry buyers saw Chris Pratt, Jennifer Lawrence and thought ?gold?. But Passengers disappeared quickly, and Arrival, once it arrived, gain screens (more so after it started be nominated for awards).
But it?s not fair to force these two films to compete against each other, even though they are in the same genre, Science Fiction, and were released close together. One is Earthbound, one if spacebound. One is about solving a mystery, the other about making an ethical choice. One is a deep, serious movie, one is almost a romantic date film (almost).
Both are about loneliness, but take different approaches to exploring it.
Interestingly, according to Box Office Mojo, they?ve both made just under US$100 million (but Arrival was made for half the budget, Passengers hasn?t recouped its production budget yet).
I loved Arrival. I really liked Passengers. There?s room for both of them in my heart.
Arrival is the slow-moving film that doesn?t give you all the answers. The characters work hard for their victories, and there?s that twist (no spoiler) that makes you rethink what you?ve just been watching. Passengers starts with a bang and ends a bit too rosily, compactly.
Amy Adams, in Arrival, is cautious, intelligent, confused, subtle. Jennifer Lawrence is very emotive and engaging, but not challenging. Jeremy Renner didn?t make a big impression on me in Arrival. Chris Pratt is Chris Pratt. Seeing him in anything makes me long for the next Guardians of the Galaxy. Michael Sheen, as the android bartender Arthur, almost steals any scene he?s in. He does an amazing job of making the character not human.
Both are decent original science fiction stories (as opposed to franchises). Their existence should be embrace by fans everywhere, as they add to the spectrum of good original science fiction films being produced year-in year-out (often lost in the sea of Star Wars / Marvel / Transformer films that shout louder for your attention.
If you haven?t seen either, I?d recommend both: Arrival for when you want a patient, thinking film and Passengers when you want an evening of adventure/romance with stunning sets (even if it gets ethically challenging in the middle).